Gone with the Wind is represented twice on the chart: the 1940 entry includes earnings from its staggered 1939–1942 release (roadshow/general release/second-run)[80] along with all of its revenue up to the 1961 reissue prior to losing the record to The Sound of Music in 1966; its 1971 entry—after it took back the record—includes income from the 1967 and 1971 reissues but omitting later releases. [78][79] As of September 2020[update], 56 films have grossed over $350 million at the US and Canadian box office. It is likely that Birchard's figure is just the North American gross rental, and includes revenue from the 1954 and 1960 reissues. Disney also enjoyed later success with films such as Frozen I and II, Zootopia, and The Lion King (with its computer-animated remake as the highest-grossing animated film), as well as its Pixar brand, of which Incredibles 2, Toy Story 3 and 4, and Finding Dory have been the best performers. Audience tastes were fairly eclectic during the 20th century, but several trends did emerge. The 1970s saw a shift in audience tastes to high concept films, with six such films made by either George Lucas or Steven Spielberg topping the chart during the 1980s. [33] The index is uniformly applied to the grosses in the chart published by Guinness World Records in 2014, beginning with the 2014 index. [99] Since the turn of the century that number has increased to over fifty (not including one-off hits such as Avatar, Titanic, and Zootopia). [3] After home video income is accounted for, both films have earned over $3 billion each. George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. RKLord of the Rings: The Return of the King saw its original gross corrected in 2019. [67] More than 700 films have crossed this threshold since,[68] over 100 of which just during their opening 7-days. The first of the two titles that make James Cameron the undisputed boss of the billion-dollar club, “Avatar” came out in 2009 and broke records worldwide. Since Variety at the time ranked films by their U.S. rental, they constructed a hypothetical rental figure for the Cinerama films to provide a basis for comparison to other films in their chart: in the case of This Is Cinerama, the $50 million worldwide gross was reconfigured as a $12.5 million U.S. rental gross; this is exactly 25% of the amount reported by Cinerama, so Variety's formula seemingly halved the gross to obtain an estimate for the U.S. share, and halved it again to simulate a rental fee. All grosses on the list are expressed in U.S. dollars at their nominal value, except where stated otherwise. [58] Exact figures are not known for The Birth of a Nation, but contemporary records put its worldwide earnings at $5.2 million as of 1919. (...) Since grosses are not limited to original theatrical runs, a film's first-run gross is included in brackets after the total if known. 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